You've learned a lot over the last six weeks! Including a number of foundational Art Historical skills:
You've also seen and learned about works from every hemisphere of the globe, from antiquity to the present, across radically different styles and cultures.
While many of you may never take another Art History course again, (a friendly reminder, though, there's plenty of options!), all of you possess key skills to be discerning art viewers. You are not just members of the art-appreciating public, you now have valuable tools and know-how with which to engage more deeply with art.
With that in mind, I am ending this course with a short list of exhibitions and events you can visit in the months following this course. I encourage you to apply and develop the skills you've learned by exploring the range of art on display in Toronto. May you go forth and appreciate art!
There are many options for visiting the AGO free (see here), including Wednesdays after 6, and free general admission for Ontario residents under 25.
Visit AGO.ca for more info
Mark Rothko. No.1, White and Red, 1962. Oil on canvas
A great survey of modern and contemporary art from the AGO's collection. Expect to see some of the most forward thinking international art of the last sixty years.
Recommended if you liked: Birthday, Creation of the Birds, AbaporĂș, End of Empire, MamaRay
How the AGO describes it:
Moments in Modernism highlights the diversity and high quality of the AGOâs modern art collection, which has been built over time by generations of museum curators and patrons.
This installation will show collection strengths from artistic movements such as Pop Art, Abstraction, Realism, and Minimalism. An international approach in artistic styles will be presented, including a body of work from the AGO holdings by Brazilian artists, recognizing the global nature of modernism. A selection of contemporary works that respond to modernist movements will also be shown.
Many of the artists, including Andy Warhol, Helen Frankenthaler, Jules Olitski, Gerhard Richter, and Mark Rothko are well known while others are still yet to be broadly recognized such as Tomie Ohtake, Rubem Valentim, Gene Davis and Kazuo Nakamura. A particular focus will be Canadian artists including Alex Colville, Rita Letendre, Jack Bush, Agnes Martin, Guido Molinari and Norval Morrisseau.
Moments in Modernism features artworks that will form the cornerstone for the expansion of the new Dani Reiss Modern and Contemporary Gallery, starting construction in 2024. The new building is being designed by architects Diamond Schmitt, Selldorf Architects and Two Row Architect to showcase the AGO's growing collection of modern and contemporary art.
Sahara Longe. Police Man, 2023. Oil on linen
Part of the AGO's growing collection of art from Africa and the African diaspora.
Recommended if you liked: End of Empire, MamaRay
How the AGO describes it:
The AGO's department of Arts of Global Africa and the Diaspora is pleased to present Critical Views, a selection of recent acquisitions by six contemporary artists. Featuring works by Leasho Johnson, Marie-HĂ©lĂšne Cauvin, Sahara Longe, Myrlande Constant, Che Lovelace, and Marc Padeu, this installation illustrates their distinct ways of expressing a multiplicity of histories, contested identities and cultural perspectives. The broad range of visual tropes and subjects in these works offer a glimpse into the multifaceted contemporary experiences of Africa and its diasporas, and the complexities of Black life.
Rembrandt van Rijn, Portrait of a Man with Arms Akimbo, 1658. Oil on canvas
A selection of works attributed to the famous Norther Rennaisance master of potraiture, as well as his contemporaries.
Recommended if you liked: The Ghent Altarpiece, TÄmati WÄka Nene
How the AGO describes it:
From the Bader Collection at the Agnes Etherington Art Centre, the AGO welcomes a remarkable selection of seventeenth century Dutch paintings. Shown in dialogue with paintings from the AGOâs European Collection of Art, at the centre of this focused installation are seven artworks attributed to Rembrandt van Rijn (1606-1669), shown together for the first time. Featuring intensely observed still life paintings, detailed interiors and mesmerizing portraits, these striking artworks offer a rare glimpse of Dutch artistry at work. This exhibition is co-curated by Adam Harris Levine, AGO Associate Curator European Art and Suzanne van de Meerendonk, Bader Curator of European Art, Agnes Etherington Art Centre.
Rafael Goldchain, Itinerant Photographer's Studio (Recuerdo), Coban, Guatemala, 1987.
Curated by FAH101's very own Marina Dumont-Gauthier (an expert in the subject of Latin-American photography and a photography curator at the AGO đ€©), this show will feature a selection of photos from the last hundred years that touch on the theme of memory.
Recommended if you liked: Creation of the Birds, Rebellious Silence, Paradise Camp, AbaporĂș
How the AGO describes it:
Highlighting new acquisitions and unseen works from the AGOâs Photography Collection, this poetic exhibition takes visitors on a journey from Mexico to Argentina, from the 1920s to today. âRecuerdo,â which in Spanish can mean both âmemoryâ and âI remember,â â reflects the exhibitionâs unique display of collective and personal stories, while exploring what it means to consider art of and from Latin America. Juxtaposing photographs from press collections as well as works by artists once known and noted photographers, including Manuel Alvarez Bravo and Tina Modotti, this exhibition is curated by AGO Curatorial Assistant Marina Dumont-Gauthier.
This fall will see the third edition of Toronto's biennial (i.e. happening every two years) contemporary art fair, featuring the work of 23 artists, displayed across ten venues across the city. This year's edition takes as its theme Precarious Joy, which I think describes the bizarre experience of making the most of the unstable times we're hurtling through.
Recommended if you liked: Ethiopia, Paradise Camp, Rebellious Silence, End of Empire, MamaRay
How the curators describe it:
For the third edition of the Toronto Biennial of Art (TBA), titled Precarious Joys, we have been immersed in dialogues and active listening, a crucial element in our curatorial journey traversing national and international landscapes, numerous artist studios, and art encounters in Toronto, throughout Canada, and beyond. Our interactions have traced connections between artistic creations reflecting social and ecological imperatives, resulting in us identifying key directives drawn from the artistsâ endeavours: âJoy,â âPrecarious,â âHome,â âPolyphony,â âSolace,â and âCodedâ are terms that encapsulate how TBA artistsâ practices amplify political consciousness and reassert the power of aesthetics in shaping collective existence.
Some of the presented artworks address the various layers of history that define life in Toronto, while others reflect broader social and political structures of inequality and power under global neoliberal governance. Key issues that resonate across the exhibition include environmental justice, sovereignty, self-representation, belonging and migration, land dispossession, collective memory, feminist genealogies, diasporic sonic cultures, sacred plant wisdom, weaving as spiritual listening, resistance and resilience, ancestorship, and queer worldmaking. Rather than presenting a single theoretical assertion, however, Precarious Joys is organized around open dialogues and poetic connections. Together, these many works will conjure sparks that light a fire amidst the fragility of existence.
âDominique Fontaine and Miguel A. LĂłpez
The Aga Khan has free admission on Wednesdays after 4 (see here)
A showcase of the representation of animals and nature throughout the history of Islamic art.
Recommended if you liked: the Great Mosque of Damascus, Along the River during Qingming Festival,
How the Aga Khan describes it:
Explore a selection of paintings and objects from the Museum Collections, highlighting how animals and natural environments have been celebrated in Islamic art and literature. As part of the Aga Khan Museumâs ongoing commitment to exploring the United Nationsâ Sustainable Development Goals (SDGs) through art and culture, Life on Land focuses on goals related to the Global Goal 15, which aims to start a conversation about protecting, restoring, and promoting sustainable use of terrestrial ecosystems.
This themed installation in the Museum Collections Gallery examines how the study of life on land has driven scientific advancement and how human activities have impacted wildlife, underscoring the importance of protecting these ecosystems. Browse through artworks that depict the mutual relationship between humans and animals, the role of domestication in shaping civilizations, and the historical and current impact of natural disasters on biodiversity and human communities.
Within the themed installation, Life on Land explores the symbolic importance of animals in literature and mythology, featuring captivating depictions of mythical creatures and fantastical beings from the Muslim world. Through these intriguing artworks, the highlighted objects within the Museum Collections promote awareness and respect for nature and life on Earth.
The ROM has free Tuesdays for post-secondary students (that includes you!), among other options (see here)
One of the big Art Historical developments of the last ten years has been a major shift in attitude toward textile/thread/needle work. The art world, which once unjustly neglected these mediums, has only recently been catching up with their rich and important history. The ROM has taken note and is dedicating an exhibition to the history of quilting in Canada.
Recommended if you liked: Ethiopia, Painted Buffalo Robe,
How the ROM describes it:
Explore a selection of paintings and objects from the Museum Collections, highlighting how animals and natural environments have been celebrated in Islamic art and literature. As part of the Aga Khan Museumâs ongoing commitment to exploring the United Nationsâ Sustainable Development Goals (SDGs) through art and culture, Life on Land focuses on goals related to the Global Goal 15, which aims to start a conversation about protecting, restoring, and promoting sustainable use of terrestrial ecosystems.
This themed installation in the Museum Collections Gallery examines how the study of life on land has driven scientific advancement and how human activities have impacted wildlife, underscoring the importance of protecting these ecosystems. Browse through artworks that depict the mutual relationship between humans and animals, the role of domestication in shaping civilizations, and the historical and current impact of natural disasters on biodiversity and human communities.
Within the themed installation, Life on Land explores the symbolic importance of animals in literature and mythology, featuring captivating depictions of mythical creatures and fantastical beings from the Muslim world. Through these intriguing artworks, the highlighted objects within the Museum Collections promote awareness and respect for nature and life on Earth.
What's above is just a partial selection of some of the bigger exhibitions and events in Toronto. I encourage you to also check out the following galleries (some of which don't have exhibitions on right now, but are worth revisiting!):
July 1: Civic holiday (university closed)
July 8: Last day to enrol in S courses
July 9: First day to select a Credit/No-Credit (CR/NCR) option for S courses
July 21: Assignment 1: Sketch with formal analysis due
July 29: Last day to drop course
August 5: Civic holiday (university closed)
August 12: Last day of classes
August 13:
Deadline to request Late Withdrawal (LWD) at College Registrar's Office
Last day to add or remove a CR/NCR option in S and Y courses
August 30:
Last day to submit a petition in S and Y courses
Last day for instructors to accept late term work without needing to submit a petition to the Faculty.