Week 2 July 8 - 14

Module 2.3: Zhang Zeduan's Along the River during Qingming Festival


Contents:

The Song Dynasty in China From " Columbia University Asia for Educators .

Cities of the Song

Map showing borders of the Northern Song dynasty (960–1126) and its neighbors, the Xi Xia and Liao, with major cities in green, and the Southern Song dynasty (1127–1279) and its neighbors, the Xi Xia and Jin, with major cities. in orange.

In 1000, 1100, 1200, and 1300, China was the most advanced place in the world. Marco Polo (1254–1324) recognized this when he got to China in the late 13th century after traveling through much of Asia. In what is now Europe, this was the period now referred to as the “high” Middle Ages, which fostered the Crusades and witnessed the rise of Venice, the mercantile center that was Marco Polo’s home.

For several centuries the Chinese economy had grown spectacularly: "Between … 960 and … 1127, China passed through a phase of economic growth that was unprecedented in earlier Chinese history, perhaps in world history up to this time. It depended on a combination of commercialization, urbanization, and industrialization that has led some authorities to compare this period in Chinese history with the development of early modern Europe six centuries later." (tip: click on these buttons to see footnotes)

  • During the Song Dynasty (960–1276), technology was highly advanced in fields as diverse as agriculture, iron-working, and printing. Indeed, scholars today talk of a Song economic revolution.
  • The population grew rapidly during this time—from approximately 50 million in 742 to 100 million by 1100—and more and more people lived in cities.
  • The Song system of government was also advanced for its time. The upper-levels of the government were staffed by highly educated scholar-officials selected through competitive written examinations.

Why else is the Song Dynasty so significant?

Many ways of living and acting that are now seen as most “Chinese,” or even characteristically East Asian, did not appear before the Song.

  • Rice and tea are historically important crops/staple foods in China; but most Chinese during the previous Tang dynasty and before ate wheat and millet and drank wine. Rice and tea became dominant food and drink in the Song.
  • China’s population is large, and tends to “explode” in certain periods; its first explosion occurred in the Song.
  • Many Chinese are “Confucians”; but the kind of Confucianism that served as government orthodoxy throughout late-imperial times was a Song reinvention.
  • Chinese women are known to have bound their feet; but they did not bind them until the Song.
  • Even the “Chinese” roof with its turned-up corners is by origin a Song Chinese roof.

Yet, despite its political and economic strengths, Song China was not able to dominate its neighbors militarily. Central to its engagement with the outside world were efforts to maintain peace with its powerful northern neighbors (Liao, Jin, Xi Xia, and the Mongols) and extend its trading networks (the Silk Road and the port of Quanzhou).

Explore: Artworks as Primary Sources

Are artworks primary sources? Can the Qingming Scroll help us visualize and document life during the Song dynasty?

Take some time to (digitally) scroll through the handscroll below, and get a close up look here.

Consider the following questions:

  • What is happening in the scroll? What activities are painted and documented?
  • Is the scroll depicting real everyday life or presenting a propagandistic story?
  • Does the artist provide any clues about how you are supposed to "read" the handscroll?
  • Are there particular details that the artist want you to focus on? How does the artist use formal elements to guide your viewing experience?
  • How are you supposed to display and experience the handscroll?
  • What else is included in the handscroll?
Just as one would unroll the scroll to the left, the image below starts from the right.
Qingming scroll
Zhang Zeduan (attributed), Along the River during Qingming Festival, 11th–12th century. Handscroll, ink and colour on silk, 24.8 x 528.7 cm. Palace Museum, Beijing.

Fun fact: there are 814 humans, 28 boats, 60 animals, 30 buildings, 20 vehicles, 9 sedan chairs, and 170 trees in the scroll

Video: Walking Through the Qingming Scroll (清明上河圖)

In the video below, Yale history professor Valerie Hansen talks through Song dynasty painter Zhang Zeduan's iconic masterpiece, Along the River during Qingming Festival (清明上河圖)

As you are watching the video, consider the following three questions:

  • What is the artist’s attitude for commerce?
  • How many women and men are shown in the scroll?
  • What did the artist leave out?

Valerie Hansen Walks You Through the Qingming Scroll (33:33)

The 5Ws and 1H of the Qingming Scroll

From Harvard University Department of East Asian Languages and Civilizations, "The Qingming Scroll" and Kristen Loring Brennan, "Attributed to Zhang Zeduan, Along the River during Qingming Festival, handscroll" in Smarthistory, Dcember 28, 2021.

Earlier we examined the when of the Qingming Scroll and considered the significance of the Song dynasty. Let's discuss some other relevant questions:

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